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지문 분석결과
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노트나 질문을 통해 자신만의 지문 노트를 만들어 관리해 보세요.
2017학년도 수능
2017학년도 수능
2017학년도 수능
43~45.
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지문 전체 문장
문장을 클릭하면 해당 문장의 구문 분석 내용을 보여줍니다.
43~45.
A seventeen-year-old German boy named Erik Brandes stepped out onto the empty vast stage of the Cologne Opera House. It was the most exciting day of Erik's life. The youngest concert promoter in Germany had persuaded the Opera House to host a late-night concert of improvised jazz by the American pianist Keith Jarrett. The concert was a sellout, and later that evening, Keith would sit down at the piano and play. But when Erik introduced Keith and his producer Manfred to the piano on the stage that afternoon, it didn't go well. Keith and Manfred played a few notes. Then after a long silence, Manfred came to him and said, "Erik, if you don't get another piano, Keith can't play tonight." Erik knew that Keith had requested a specific instrument, which the Opera House had agreed to provide. What he hadn't realized was that the administrative staff hadn't been able to find the requested Bosendorfer piano, and they had instead installed a tiny little Bosendorfer that was in poor condition. Understandably, Keith didn't want to perform. He left and went to wait in his car, leaving Erik to anticipate the arrival of soon-to-be furious concert-goers. Desperate, the German teenager caught up with Keith and begged the jazz pianist to play. The pianist looked out at him standing in the rain, completely soaked, and took pity on him. "Never forget," Keith said. "Only for you." A few hours later, Keith walked out to the unplayable piano in front of a packed concert hall. When Keith began to play, everybody immediately knew this was magic. Erik too was deeply touched. Keith was unexpectedly producing the performance of a lifetime despite the shortcomings of the piano. His left hand produced thundering, repetitive bass riffs as a way of covering up the piano's lack of resonance. Keith really had to play that piano very hard to get enough volume to get to the balconies. Standing up and sitting down, Keith played the unplayable piano to produce something unique. It wasn't the music that he ever imagined playing. But faced with a challenge, he accepted it and flew high.
지문 노트목록 지문단위의 해석이나 의미 등 내용에 대한 설명입니다.
지문에 대한 질문목록 이 지문과 관련된 질문이 있다면 이곳에서 등록해 보세요. (예를들면, 이 지문과 관련된 문제 풀이가 궁금할 때)
지문에 사용된 특정 문장에 대한 궁금증은 해당 문장의 헬프fico쌤에 등록하는 것이 좋습니다.
등록된 질문이 없습니다.
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1 A seventeen-year-old German boy named Erik Brandes stepped out onto the empty vast stage of the Cologne Opera House. 2 It was the most exciting day of Erik's life. 3 The youngest concert promoter in Germany had persuaded the Opera House to host a late-night concert of improvised jazz by the American pianist Keith Jarrett. 4 The concert was a sellout, and later that evening, Keith would sit down at the piano and play. 5 But when Erik introduced Keith and his producer Manfred to the piano on the stage that afternoon, it didn't go well. 6 Keith and Manfred played a few notes. 7 Then after a long silence, Manfred came to him and said, "Erik, if you don't get another piano, Keith can't play tonight." 8 Erik knew that Keith had requested a specific instrument, which the Opera House had agreed to provide. 9 What he hadn't realized was that the administrative staff hadn't been able to find the requested Bosendorfer piano, and they had instead installed a tiny little Bosendorfer that was in poor condition. 10 Understandably, Keith didn't want to perform. 11 He left and went to wait in his car, leaving Erik to anticipate the arrival of soon-to-be furious concert-goers. 12 Desperate, the German teenager caught up with Keith and begged the jazz pianist to play. 13 The pianist looked out at him standing in the rain, completely soaked, and took pity on him. 14 "Never forget," Keith said. 15 "Only for you." 16 A few hours later, Keith walked out to the unplayable piano in front of a packed concert hall. 17 When Keith began to play, everybody immediately knew this was magic. 18 Erik too was deeply touched. 19 Keith was unexpectedly producing the performance of a lifetime despite the shortcomings of the piano. 20 His left hand produced thundering, repetitive bass riffs as a way of covering up the piano's lack of resonance. 21 Keith really had to play that piano very hard to get enough volume to get to the balconies. 22 Standing up and sitting down, Keith played the unplayable piano to produce something unique. 23 It wasn't the music that he ever imagined playing. 24 But faced with a challenge, he accepted it and flew high.