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지문 분석결과
fico가 지문 학습에 필요한 것들을 구성하여 학습 효율성을 제공해 드립니다.
노트나 질문을 통해 자신만의 지문 노트를 만들어 관리해 보세요.
HELLO-BOOK
HELLO-BOOK
HELLO-BOOK
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문장 선택
문장을 클릭하면 해당 문장의 구문 분석 내용을 보여줍니다.
A commonality between conceptual and computer art was Conceptual artists decoupled the relationship between the art object and artist by mitigating all personal signs of invention. Likewise, the computer artwork lacked any autographic mark, trace of spontaneity, or artistic authenticity. When someone cuts in front of us, it upsets us, and we're willing to go a long way to make sure that people who arrive later than us don't get served before us. People overwhelmingly wanted their lines to be first-come, first-served, and they were willing to wait some 70 percent longer for this Sort of justice. In other words, in exchange for their time, people got something that's often just as important. What is missing in all this is any setting or context to make the emotion determinate. We must know who this person is, who these other people are, what their relationship is, what is at stake in the scene, and the like. Our understanding of people cannot somehow be precipitated and held isolated from the social and human circumstances in which they, and we, live and breathe and have our being. We encounter people in particular situations and our understanding of people cannot somehow be precipitated and held isolated from the social and human circumstances in which they, and we, live and breathe and have our being. In real life as well as in painting we do not come across just faces; we encounter people in particular situations. The shift from analog to digital technology significantly influenced how music was produced. This microlevel access at once made it easier to conceal any traces of manipulations (such as joining tracks in silent spots) and introduced new possibilities for manipulating sound in audible and experimental ways. First and foremost, the digitization of sounds - that is, their conversion into numbers - enabled music makers to undo what was done.
지문 노트목록 지문단위의 해석이나 의미 등 내용에 대한 설명입니다.
지문에 대한 질문목록 이 지문과 관련된 질문이 있다면 이곳에서 등록해 보세요. (예를들면, 이 지문과 관련된 문제 풀이가 궁금할 때)
지문에 사용된 특정 문장에 대한 궁금증은 해당 문장의 헬프fico쌤에 등록하는 것이 좋습니다.
등록된 질문이 없습니다.
fico 문장 분석
이 지문에 대해 AI는 다음과 같은 문장들로 구분하였습니다.
문장 구분과 분석의 정확성을 높이려면 'fico 정확성을 높이려면'을 참고하세요
list_alt해석 목록
여러 AI의 해석들을 제공해 드립니다.
inventory_2단어 목록 ● 단어 목록에 OpenVocas로 등록된 구가 있습니다.
문장에서 등장하는 단어를 fico가 대신 검색하여 제공해 드립니다. 단어를 눌러서 발음을 들어보세요.
해당 문장에서 fico AI가 설정한 난이도 이상의 단어를 찾지 못했습니다.
sticky_note_2노트 메모
학습에 필요한 나만의 메모를 남겨보세요.
해당 문장에서 fico AI가 설정한 난이도 이상의 단어를 찾지 못했습니다.
듣기
상세한 구문 분석을 보고 싶은 문장을 선택하세요.
1 A commonality between conceptual and computer art was Conceptual artists decoupled the relationship between the art object and artist by mitigating all personal signs of invention. 2 Likewise, the computer artwork lacked any autographic mark, trace of spontaneity, or artistic authenticity. 3 When someone cuts in front of us, it upsets us, and we're willing to go a long way to make sure that people who arrive later than us don't get served before us. 4 People overwhelmingly wanted their lines to be first-come, first-served, and they were willing to wait some 70 percent longer for this Sort of justice. 5 In other words, in exchange for their time, people got something that's often just as important. 6 What is missing in all this is any setting or context to make the emotion determinate. 7 We must know who this person is, who these other people are, what their relationship is, what is at stake in the scene, and the like. 8 Our understanding of people cannot somehow be precipitated and held isolated from the social and human circumstances in which they, and we, live and breathe and have our being. 9 We encounter people in particular situations and our understanding of people cannot somehow be precipitated and held isolated from the social and human circumstances in which they, and we, live and breathe and have our being. 10 In real life as well as in painting we do not come across just faces; we encounter people in particular situations. 11 The shift from analog to digital technology significantly influenced how music was produced. 12 This microlevel access at once made it easier to conceal any traces of manipulations (such as joining tracks in silent spots) and introduced new possibilities for manipulating sound in audible and experimental ways. 13 First and foremost, the digitization of sounds - that is, their conversion into numbers - enabled music makers to undo what was done.