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지문 분석결과
fico가 지문 학습에 필요한 것들을 구성하여 학습 효율성을 제공해 드립니다.
노트나 질문을 통해 자신만의 지문 노트를 만들어 관리해 보세요.
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16회차 서킷모의고사
41-42번
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문장 선택
문장을 클릭하면 해당 문장의 구문 분석 내용을 보여줍니다.
41-42번
Digital imaging technology has made it easier and quicker to take and transmit images around the world and to change our notions about photographic truth. During the 19th century, people believed the stationary camera was a reliable and automatic witness. The photographer's job was to make "every person" views, photographs that acted as stand-ins, witnessing a scene and depicting what you would have observed had you been an eyewitness. This gave people confidence that photographs were accurate representations of truth. Digital imaging has destroyed this unwritten arrangement between photographers and audiences by giving imagemakers the ability to seamlessly alter the picture of "reality." In the 21st century, seeing is no longer believing. The public's confidence in the accuracy of photographs has been eroding as news providers modify photographs without informing their readers. It began in 1982 when National Geographic editors "moved" the Egyptian Great Pyramids at Giza closer together to accommodate the vertical composition of their cover. Unethical photojournalists have lost their jobs because they were caught "Photoshopping" images before transmitting them to their editors for publication. Such undetectable changes have made audiences more skeptical about the accuracy of all photographs. Now digital imaging tools are so readily available and easy to operate that both amateurs and professionals use them daily. Such computer power can be seen in the work of American Nancy Burson, who uses digital morphing technology to create images of people who never existed, such as a composite person made up of Caucasian, Negroid, and Asian features.
지문 노트목록 지문단위의 해석이나 의미 등 내용에 대한 설명입니다.
지문에 대한 질문목록 이 지문과 관련된 질문이 있다면 이곳에서 등록해 보세요. (예를들면, 이 지문과 관련된 문제 풀이가 궁금할 때)
지문에 사용된 특정 문장에 대한 궁금증은 해당 문장의 헬프fico쌤에 등록하는 것이 좋습니다.
등록된 질문이 없습니다.
fico 문장 분석
이 지문에 대해 AI는 다음과 같은 문장들로 구분하였습니다.
문장 구분과 분석의 정확성을 높이려면 'fico 정확성을 높이려면'을 참고하세요
list_alt해석 목록
여러 AI의 해석들을 제공해 드립니다.
inventory_2단어 목록 ● 단어 목록에 OpenVocas로 등록된 구가 있습니다.
문장에서 등장하는 단어를 fico가 대신 검색하여 제공해 드립니다. 단어를 눌러서 발음을 들어보세요.
해당 문장에서 fico AI가 설정한 난이도 이상의 단어를 찾지 못했습니다.
sticky_note_2노트 메모
학습에 필요한 나만의 메모를 남겨보세요.
tips_and_updates인덱스 핑거
현재 문장과 유사한 구조를 가지거나 보충 학습할 수 있는 예문들을 추천합니다.
원문과 유사한 fico score 및 구문 구조를 갖는 문장이 없을 경우 검색되지 않을 수 있습니다.
해당 문장에서 fico AI가 설정한 난이도 이상의 단어를 찾지 못했습니다.
듣기
상세한 구문 분석을 보고 싶은 문장을 선택하세요.
1 Digital imaging technology has made it easier and quicker to take and transmit images around the world and to change our notions about photographic truth. 2 During the 19th century, people believed the stationary camera was a reliable and automatic witness. 3 The photographer's job was to make "every person" views, photographs that acted as stand-ins, witnessing a scene and depicting what you would have observed had you been an eyewitness. 4 This gave people confidence that photographs were accurate representations of truth. 5 Digital imaging has destroyed this unwritten arrangement between photographers and audiences by giving imagemakers the ability to seamlessly alter the picture of "reality." 6 In the 21st century, seeing is no longer believing. 7 The public's confidence in the accuracy of photographs has been eroding as news providers modify photographs without informing their readers. 8 It began in 1982 when National Geographic editors "moved" the Egyptian Great Pyramids at Giza closer together to accommodate the vertical composition of their cover. 9 Unethical photojournalists have lost their jobs because they were caught "Photoshopping" images before transmitting them to their editors for publication. 10 Such undetectable changes have made audiences more skeptical about the accuracy of all photographs. 11 Now digital imaging tools are so readily available and easy to operate that both amateurs and professionals use them daily. 12 Such computer power can be seen in the work of American Nancy Burson, who uses digital morphing technology to create images of people who never existed, such as a composite person made up of Caucasian, Negroid, and Asian features.