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Especially documentary and news programmes. Only this kind of wholehearted interest will give the mind the energy needed to see. Only this kind of wholehearted interest will give the mind the energy needed to see what is new and different, especially when the latter seems to threaten what is familiar, precious, secure, or otherwise dear to us. No great surprise there. The people who did well on the exams estimated their rank accurately. They then showed each participant his results and asked him to estimate how he fared compared to others. In a series of studies, he and his colleague Justin Kruger tested a group of undergraduates in such skills as logical reasoning, grammar, and humor. David Dunning, a psychologist at Cornell University, use anosognosia as a metaphor to explain the research he's done on ignorance. For example, distant suffering caused by war, flood, famine, earthquake or poverty. Such a presumption underpins programmes reporting. A desire to minimise pain and suffering while maximising pleasure amongst all. That viewers share with the producers. That viewers share. Such programmes take it for granted. In which the 'greater good' is often spelt out through the way that actual worldly events are framed and reported. The ability to learn something new is based on the general state of mind of a human being. Utilitarian philosophy is most relevant in the genres of actuality. If only because the most important activity would be the invisible mental one of calculating the consequences of actions. To create a utilitarian drama would be rather dull. Of individual characters rather than the consequences for people in general. Drama tends to revolve around the actions and choices. Does not generate much dramatic action. But the fundamental idea in utilitarianism of maximising pleasure for the greatest number and minimising pain for as many as possible. Make for dramatic television. Contests between virtuous and bad characters, between wilfulness and duty. Contests between virtuous and bad characters, between wilfulness and duty, make for dramatic television, but the fundamental idea in utilitarianism of maximising pleasure for the greatest number and minimising pain for as many as possible, does not generate much dramatic action. Lt you watch him, you will see that he is putting his whole being into it. Recall, for example, the kind of interest that a young child shows when he is learning to walk. But when it does operate, there is an undivided and total interest in what one is doing. It does not depend on special talents, nor does it operate only in special fields, such as science, art, music or architecture.
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